Monday 31 December 2012

As with Ceaseless Voice They Cry

“O Lord, Open thou our lips, and our mouths shall shew forth thy praise.”
Well, friends. It's the end of another year. I'm feeling quite glad about the frequency with which I've written in this blog over the last 12 moments. Moments seems like a more apropos word than months suddenly. I'd like to keep up this blog and improve it if I can. I have another, secret blog, which I write in purely for the sake of my own feelings, and every year I select a theme to form my thoughts around. I'd like to do the same for this one. Since I have two blogs, I'll need two themes. I've decided to go with Vision for the other blog, and Voice for this one. I'm choosing voice as a theme for the year 2013 because I've been realizing, in the dregs of this year, how important it is to use one's voice and how damaging it can be, sometimes, to remain silent. I'm choosing vision for the secret blog because vision is the thing that precedes voice. One must have thoughts before one can have words. The type and content of my posts shouldn't change much, they'll just all be formed around the subject of voice. Voice can mean lots of different things, you'll see. . .

I've also realized that there is another connection between vision and voice. Prophets are strong in both of these areas. A prophet's task is to give voice to what is visible, and prophecy is one of the spiritual gifts that is supposed to be desired.

    And I said: “Woe is me! For I am lost; for I am a man of unclean lips, and I dwell in the midst of a people of unclean lips; for my eyes have seen the King, the LORD of hosts!”
    Then one of the seraphim flew to me, having in his hand a burning coal that he had taken with tongs from the altar. And he touched my mouth and said: “Behold, this has touched your lips; your guilt is taken away, and your sin atoned for.”
(Isaiah 6:5-7 ESV)

Monday 24 December 2012

Holy Nativity: Bright Paint and Sweet Anger

God in three persons, Holy Trinity.

Well, it's Christmas Eve, and as usual, I've failed to keep this blog abreast of the progress of my Nativity Fast. I'm feeling really glad that Lent is coming up in a few months. I think, maybe, I'm getting used to the rhythm of fasting and feasting. I failed several times during this fast, and abandoned my reading plan half way through. But still, being in the general mindset of fasting was invaluable during this frenzied, noisy holiday season. I'm shockingly calm. Calm and prepared are the two words that best describe my mood this year.  I think this is due entirely to my experience of God in this fast. One day I will be good at fasting, I tell you! One day. In the meantime, I am going to learn to fight legalism and slovenly habits as I align my life to the Christian calendar.  

I'm learning things about myself this fall. Mostly, I've been learning a lot about what I picture when I use the word "home", and how far my actual home falls short of this image. I think, sometimes, I feel guilty about wanting to be comfortable. I have the personal tastes of Marie Antoinette, but I try to live like John the Baptist. This is maybe irrelevant to this post, but for me to feel at home, the walls have to be painted in bright colors. Or at least, I have to be surrounded by lots of brightly colored, beautiful things. No, the walls really, actually have to be painted in bright colors. I have tried several times in my adult life to live without this, and each time, the experiment has failed. It's always the same. I buy a few things: a colorful bedspread, a whimsical piece of artwork, and feel like I have accomplished the goal of setting up a nest for myself. But it always fails. White walls make me crazy. The earth is not my home, this is sure, but it is a place to practice living real, eternal life. I must do that in a place that feels like home. I should have painted my apartment. I should've painted, and I should've bought a lot of furniture. I am not a nomad, I am not a desert father, I am an Ayodele. And Ayodeles need their houses to be decorated like Anthropologie stores.

Also, I've learned about my general lack of assertiveness. Again, this is not a new lesson. Why must I learn everything 85 times? I hate being angry; I gravitate towards tranquility. But, as I'm human, I cannot escape human emotions. I spent a lot of time this fall, during this Nativity Fast, incensed. I wonder what the etymology of the word incensed is. Anyway, I'm learning again that it is OK to be mad, that when I am angry I cannot make myself otherwise, and that the swiftest path to righteousness is speaking the truth in love. "I feel mad when you. . ." At the moment, it is nearly impossible for me to communicate anger to another person. I fear conflict, and I fear my own ability to handle anger appropriately. But I must work on this.

What does any of this have to do with the Incarnation? Well, both of these things, colored paint and assertive language, affect my ability to feel at home in my own flesh. Since I am incarnate, I cannot live peacefully if I'm always trying to just endure ugly, glaring white paint or situations that make me angry. Sometimes you just have to work to make things better, instead of trying to survive them. This is the truth.

I think this fast has made it easier to hear God when he speaks. Maybe that is what fasting is about, telling God that you're listening. Fasting is living in a posture of listening.

Speaking of my natural inclination toward extravagance, I may at least congratulate myself on the way I observed Christmas this year. Christmas is so important to me. And I love all of it. I love the shopping, and the brass bands playing "O Come, O Come, Emmanuel" on the street corners, and the trees, and the lights, and the office holiday parties, and the presents. I cannot cut corners on Christmas. Lucky for me, I planned ahead this year. I put up my tree 2 days after Thanksgiving, ordered and sent out Christmas cards, and used an Advent Wreath. This is my first year using an Advent Wreath. I made it myself and everything. I will do it every year. I think lighting the Advent candles helped me to get a handle on the time. Isn't that what fasting is about? Getting a handle on the time? I knew exactly how many days it was until Christmas, and I was able to focus on the right things, like Love, Hope, and Joy--at least on Sundays. So, some part of my brain chose to act according to common sense this year. Hooray! I love the Advent season.

Now I need to go complete another Christmas tradition, and finish reading On the Incarnation.

Merry Christmas!

Saturday 17 November 2012

Branding instead of Beauty

It's the third day of my Nativity Fast, and I'm feeling fond of emotional capitalization. At least, I think so. The weather is cooling, though not cold, as though the days are a preface to sacredness, but not the Thing itself. I have to admit that I'm awful at fasting. Why do I even attempt it? I think one day I'll move past the rudimentary acquisition of discipline and begin to gain something from these moments of self-denial. I've begun reading through Isaiah, which seems fitting, because it starts out in a tone as morbid as my own feelings. Oh, how my thoughts are wandering just now. Yesterday, I finished re-reading Home, by St. Marilynne Robinson, and I feel closely connected to the character of Jack Boughton. 

Jack, the Prodigal Son, can't come home even when he is home. I feel like that sometimes. Jack hears but does not understand, and he sees but does not perceive. And he is lonely. Jack is a faithless character who was raised within the Faith (see the emotional capitalization again?). He is surrounded by others whose lives are filled with Love and Virtue, people who are reaching their arms out to him, longing to comfort him, all day long. But Jack cannot be comforted, it is the nature of his affliction to be alone in his vice. I think his character scratches at my heart so sharply because I often feel like him. I think this is one of the reasons it comforted me to read Home again, because sometimes I need to be reminded that loneliness is part of the human experience. We are born into sin, and alienated from God, after all. What could be more lonely than being at odds with the All-Perfect Creator of your own soul?

So people are lonely. Is there anything more to be said?

I'm currently terrified of reaping what I sow. There are so many verses in the Bible concerned with this general principle: "whatever one sows, that will he also reap." I'm more comfortable thinking that the great Gospel Narrative is about helping me not to reap what I sow.   . . .for all have sinned. . .   No one wants to reap the misery of a fallen humanity.

"Tell the righteous that it shall be well with them,
        for they shall eat the fruit of their deeds.
    Woe to the wicked! It shall be ill with him,
        for what his hands have dealt out shall be done to him.


In these next 37 days, I'm going to try to sow actions I'd actually be glad to harvest."



Turn my eyes from looking at worthless things and give me life in your ways.

Sunday 11 November 2012

A Day in the Life of a Bridesmaid. . .

Yesterday, my best friend of over 20 years got married. Yes, I know. Married. Here are some gratuitous photos to prove it, given here for the gratification of my own feelings. I can't go into a long description of the day, or my feelings about it, because I don't actually want to.  I will say though, that it surprised me. Each wedding I've been in is as different as each of the friends I've attended. Shall I show the photos now? Yes. I shall.




All done crying, by this point.




The Best Man got lost for a while and missed this photo opp.



Using all of my rhetorical powers.

Being the Church

Thursday 1 November 2012

So Great a Cloud of Witnesses: Distracted Musings on All Saints' Day


 http://catholiclane.com/wp-content/uploads/All-Saints-Day-icon-1.png

“Around your throne the saints, our brothers and sisters,
sing your praise forever.
Their glory fills us with joy,
and their communion with us in your church
gives us inspiration and strength
as we hasten our pilgrimage of faith, eager to meet them.
With their great company and all the angels
we praise your glory as we cry out with one voice:
‘Holy, holy, holy…’ “
 
Thus ends Poetry Appreciation Month. It was good while it lasted. 

Today is All Saints' Day. I had so many ideas for this day. Alas, we went on a field trip. The truth is that field trips are always secretly exhausting. It's a wonder I can hold up my head right now. In other news, my best friend is getting married in 9 days. Yet another reason why I am feeling the rush of activity rather than the inner stirrings of quietude.

Last night, I read up on some saints, thought about Hebrews 11, and read bits of Revelation. I planned to watch Millions, read St. Joan, and think about people I admire: the George Muellers and the Amy Carmichaels. I wrote out a list of All Saints' Day worthy activities. Today I even wore a white dress, but forgot to feel significant feelings about it. I'm too tired to observe such a holy day.

What can I say about all of this? We know that righteousness is possible, and real. Not just for God, but for those who love him and are called according to his purpose.

What we do know is that faith is the common factor in the lives of all these holy people. . .

Without faith, it is impossible to please God. 

Therefore, since we are surrounded by so great a cloud of witnesses, let us also lay aside every weight, and sin which clings so closely, and let us run with endurance the race that is set before us, looking to Jesus, the founder and perfecter of our faith, who for the joy that was set before him endured the cross, despising the shame, and is seated at the right hand of the throne of God.

Wednesday 31 October 2012

Alfred Noyes' "The Highwayman"

The Highwayman

PART ONE


The wind was a torrent of darkness among the gusty trees.   
The moon was a ghostly galleon tossed upon cloudy seas.   
The road was a ribbon of moonlight over the purple moor,   
And the highwayman came riding—
         Riding—riding—
The highwayman came riding, up to the old inn-door.


He’d a French cocked-hat on his forehead, a bunch of lace at his chin,   
A coat of the claret velvet, and breeches of brown doe-skin.
They fitted with never a wrinkle. His boots were up to the thigh.   
And he rode with a jewelled twinkle,
         His pistol butts a-twinkle,
His rapier hilt a-twinkle, under the jewelled sky.


Over the cobbles he clattered and clashed in the dark inn-yard.
He tapped with his whip on the shutters, but all was locked and barred.   
He whistled a tune to the window, and who should be waiting there   
But the landlord’s black-eyed daughter,
         Bess, the landlord’s daughter,
Plaiting a dark red love-knot into her long black hair.


And dark in the dark old inn-yard a stable-wicket creaked
Where Tim the ostler listened. His face was white and peaked.   
His eyes were hollows of madness, his hair like mouldy hay,   
But he loved the landlord’s daughter,
         The landlord’s red-lipped daughter.
Dumb as a dog he listened, and he heard the robber say—


“One kiss, my bonny sweetheart, I’m after a prize to-night,
But I shall be back with the yellow gold before the morning light;
Yet, if they press me sharply, and harry me through the day,   
Then look for me by moonlight,
         Watch for me by moonlight,
I’ll come to thee by moonlight, though hell should bar the way.”


He rose upright in the stirrups. He scarce could reach her hand,
But she loosened her hair in the casement. His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;   
And he kissed its waves in the moonlight,
         (O, sweet black waves in the moonlight!)
Then he tugged at his rein in the moonlight, and galloped away to the west.


PART TWO


He did not come in the dawning. He did not come at noon;   
And out of the tawny sunset, before the rise of the moon,   
When the road was a gypsy’s ribbon, looping the purple moor,   
A red-coat troop came marching—
         Marching—marching—
King George’s men came marching, up to the old inn-door.


They said no word to the landlord. They drank his ale instead.   
But they gagged his daughter, and bound her, to the foot of her narrow bed.
Two of them knelt at her casement, with muskets at their side!   
There was death at every window;
         And hell at one dark window;
For Bess could see, through her casement, the road that he would ride.


They had tied her up to attention, with many a sniggering jest.
They had bound a musket beside her, with the muzzle beneath her breast!
“Now, keep good watch!” and they kissed her. She heard the doomed man say—
Look for me by moonlight;
         Watch for me by moonlight;
I’ll come to thee by moonlight, though hell should bar the way!


She twisted her hands behind her; but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!   
They stretched and strained in the darkness, and the hours crawled by like years
Till, now, on the stroke of midnight,
         Cold, on the stroke of midnight,
The tip of one finger touched it! The trigger at least was hers!


The tip of one finger touched it. She strove no more for the rest.   
Up, she stood up to attention, with the muzzle beneath her breast.   
She would not risk their hearing; she would not strive again;   
For the road lay bare in the moonlight;
         Blank and bare in the moonlight;
And the blood of her veins, in the moonlight, throbbed to her love’s refrain.


Tlot-tlot; tlot-tlot! Had they heard it? The horsehoofs ringing clear;   
Tlot-tlot; tlot-tlot, in the distance? Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding—
         Riding—riding—
The red coats looked to their priming! She stood up, straight and still.


Tlot-tlot, in the frosty silence! Tlot-tlot, in the echoing night!   
Nearer he came and nearer. Her face was like a light.
Her eyes grew wide for a moment; she drew one last deep breath,   
Then her finger moved in the moonlight,
         Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him—with her death.


He turned. He spurred to the west; he did not know who stood   
Bowed, with her head o’er the musket, drenched with her own blood!   
Not till the dawn he heard it, and his face grew grey to hear   
How Bess, the landlord’s daughter,
         The landlord’s black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness there.


Back, he spurred like a madman, shouting a curse to the sky,
With the white road smoking behind him and his rapier brandished high.
Blood red were his spurs in the golden noon; wine-red was his velvet coat;
When they shot him down on the highway,
         Down like a dog on the highway,
And he lay in his blood on the highway, with a bunch of lace at his throat.


.       .       .


And still of a winter’s night, they say, when the wind is in the trees,

When the moon is a ghostly galleon tossed upon cloudy seas,   

When the road is a ribbon of moonlight over the purple moor,   

A highwayman comes riding—
         Riding—riding—
A highwayman comes riding, up to the old inn-door.

Over the cobbles he clatters and clangs in the dark inn-yard.
He taps with his whip on the shutters, but all is locked and barred.   
He whistles a tune to the window, and who should be waiting there   
But the landlord’s black-eyed daughter,
         Bess, the landlord’s daughter,

Plaiting a dark red love-knot into her long black hair.

 

Tuesday 30 October 2012

A.A. Milne's "Hoppity"

Hoppity

Christopher Robin goes
Hoppity, hoppity,

Hoppity, hoppity, hop.

Whenever I tell him
Politely to stop it, he
Says he can't possibly stop.

If he stopped hopping,
        He couldn't go anywhere,
Poor little Christopher
Couldn't go anywhere. . . .
That's why he always goes
Hoppity, hoppity,
Hoppity,
Hoppity,
Hop. 

Monday 29 October 2012

William Wordsworth's "Daffodils"

 Daffodils

I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.

The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed--and gazed--but little thought
What wealth the show to me had brought:

For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.

Sunday 28 October 2012

Hilaire Belloc's "Jim"

 

Jim

Who ran away from his Nurse and was eaten by a Lion

There was a Boy whose name was Jim;
His Friends were very good to him.
They gave him Tea, and Cakes, and Jam,
And slices of delicious Ham,
And Chocolate with pink inside
And little Tricycles to ride,
And read him Stories through and through,
And even took him to the Zoo--
But there it was the dreadful Fate
Befell him, which I now relate.

You know--or at least you ought to know,
For I have often told you so--
That Children never are allowed
To leave their Nurses in a Crowd;
Now this was Jim's especial Foible,
He ran away when he was able,
And on this inauspicious day
He slipped his hand and ran away!

He hadn't gone a yard when--Bang!
With open Jaws, a lion sprang,
And hungrily began to eat
The Boy: beginning at his feet.
Now, just imagine how it feels
When first your toes and then your heels,
And then by gradual degrees,
Your shins and ankles, calves and knees,
Are slowly eaten, bit by bit.
No wonder Jim detested it!
No wonder that he shouted ``Hi!''

The Honest Keeper heard his cry,
Though very fat he almost ran
To help the little gentleman.
``Ponto!'' he ordered as he came
(For Ponto was the Lion's name),
``Ponto!'' he cried, with angry Frown,
``Let go, Sir! Down, Sir! Put it down!''
The Lion made a sudden stop,
He let the Dainty Morsel drop,
And slunk reluctant to his Cage,
Snarling with Disappointed Rage.
But when he bent him over Jim,
The Honest Keeper's Eyes were dim.
The Lion having reached his Head,
The Miserable Boy was dead!

When Nurse informed his Parents, they
Were more Concerned than I can say:--
His Mother, as She dried her eyes,
Said, ``Well--it gives me no surprise,
He would not do as he was told!''
His Father, who was self-controlled,
Bade all the children round attend
To James's miserable end,
And always keep a-hold of Nurse
For fear of finding something worse.

Saturday 27 October 2012

Edward Lear's "The Owl and the Pussycat"

      

The Owl and the Pussycat

I
The Owl and the Pussy-cat went to sea
    In a beautiful pea green boat,
They took some honey, and plenty of money,
    Wrapped up in a five pound note.
The Owl looked up to the stars above,
    And sang to a small guitar,
'O lovely Pussy! O Pussy my love,
      What a beautiful Pussy you are,
          You are,
          You are!
What a beautiful Pussy you are!'
II
Pussy said to the Owl, 'You elegant fowl!
    How charmingly sweet you sing!
O let us be married! too long we have tarried:
    But what shall we do for a ring?'
They sailed away, for a year and a day,
    To the land where the Bong-tree grows
And there in a wood a Piggy-wig stood
    With a ring at the end of his nose,
          His nose,
          His nose,
With a ring at the end of his nose.

III
'Dear pig, are you willing to sell for one shilling
    Your ring?' Said the Piggy, 'I will.'
So they took it away, and were married next day
    By the Turkey who lives on the hill.
They dined on mince, and slices of quince,
    Which they ate with a runcible spoon;
And hand in hand, on the edge of the sand,
    They danced by the light of the moon,
          The moon,
          The moon,
They danced by the light of the moon.

Friday 26 October 2012

Arthur Rimbaud's "Mystic" (a few translations)

Mystic

On the slope of the knoll angels
whirl their woolen robes
in pastures of emerald and steel.
Meadows of flame leap up to the summit of the little hill.

At the left, the mold of the ridge is trampled by all the homicides
and all the battles, and all the disastrous noises
describe their curve. Behind the right-hand
ridge, the line of orients and of progress.

And while the band above the picture is composed of the revolving
and rushing hum of seashells and of human nights,
The flowering sweetness of the stars and of the night
and all the rest descends, opposite the knol
l, like a basket,-- against our face, and
makes the abyss perfumed and blue below. 

Mystic

On the gently rising slopes of the hill, the angels bleach their woollen robes in the herbage of steel and emerald.

Meadows of flame leap up the breast of the hill. On the ridge to the left, the ground is trampled by the feet of all the murderers and of all the battles of the world; and there, all disastrous rumors spin their crooked threads. Behind the ridge on the right, is the line of the Orient, of progress.

And whilst the group at the top of the picture is formed of the eddying, leaping murmurs of sea-shells and human nights,

The flowery softness of the stars, and of the heavens and the misty deeps, overflows in front of the hill, as from a basket, and makes the blue abyss to blossom.

 

Mystique

Sur la pente du talus, les anges tournent leurs robes de laine dans les herbages d'acier et d'émeraude. Des prés de flammes bondissent jusqu'au sommet du mamelon. À gauche, le terreau de l'arête est piétiné par tous les homicides et toutes les batailles, et tous les bruits désastreux filent leur courbe. Derrière l'arête de droite, la ligne des orients, des progrès.
Et tandis que la bande en haut du tableau est formée de la rumeur tournante et bondissante des conques des mers et des nuits humaines,
La douceur fleurie des étoiles et du ciel et du reste descend en face du talus, comme un panier, - contre notre face, et fait l'abîme fleurant et bleu là-dessous.

Thursday 25 October 2012

T.S. Eliot's "Four Quartets: Little Gidding"

Little Gidding

IV
The dove descending breaks the air
With flame of incandescent terror
Of which the tongues declare
The one discharge from sin and error.
The only hope, or else despair
     Lies in the choice of pyre of pyre—
     To be redeemed from fire by fire.


     Who then devised the torment? Love.
Love is the unfamiliar Name
Behind the hands that wove
The intolerable shirt of flame
Which human power cannot remove.
     We only live, only suspire
     Consumed by either fire or fire.

Wednesday 24 October 2012

Ezra Pound's "Ballad of the Goodly Fere"

 Ballad of the Goodly Fere

Simon Zelotes speaking after the Crucifixion. Fere=Mate, Companion.
Ha' we lost the goodliest fere o' all
For the priests and the gallows tree?
Aye lover he was of brawny men,
O' ships and the open sea.

When they came wi' a host to take Our Man
His smile was good to see,
"First let these go!" quo' our Goodly Fere,
"Or I'll see ye damned," says he.

Aye he sent us out through the crossed high spears
And the scorn of his laugh rang free,
"Why took ye not me when I walked about
Alone in the town?" says he.

Oh we drank his "Hale" in the good red wine
When we last made company,
No capon priest was the Goodly Fere
But a man o' men was he.

I ha' seen him drive a hundred men
Wi' a bundle o' cords swung free,
That they took the high and holy house
For their pawn and treasury.

They'll no' get him a' in a book I think
Though they write it cunningly;
No mouse of the scrolls was the Goodly Fere
But aye loved the open sea.

If they think they ha' snared our Goodly Fere
They are fools to the last degree.
"I'll go to the feast," quo' our Goodly Fere,
"Though I go to the gallows tree."

"Ye ha' seen me heal the lame and blind,
And wake the dead," says he,
"Ye shall see one thing to master all:
'Tis how a brave man dies on the tree."

A son of God was the Goodly Fere
That bade us his brothers be.
I ha' seen him cow a thousand men.
I have seen him upon the tree.

He cried no cry when they drave the nails
And the blood gushed hot and free,
The hounds of the crimson sky gave tongue
But never a cry cried he.

I ha' seen him cow a thousand men
On the hills o' Galilee,
They whined as he walked out calm between,
Wi' his eyes like the grey o' the sea,

Like the sea that brooks no voyaging
With the winds unleashed and free,
Like the sea that he cowed at Genseret
Wi' twey words spoke' suddently.

A master of men was the Goodly Fere,
A mate of the wind and sea,
If they think they ha' slain our Goodly Fere
They are fools eternally.

I ha' seen him eat o' the honey-comb
Sin' they nailed him to the tree.

Tuesday 23 October 2012

Mahmoud Darwish/Marcel Khalife's "The Most Beautiful Love"

 The Most Beautiful Love

As the grass sprouts between the crevices of a rock
We were found one day as two strangers
the sky was crafting a star.. and a star
And I was composing a passage on love
For the sake of your eyes… its riches!
I study your eyes, truly I waited a while
As the summer awaited a bird
And I slept…  a sleep of refuge
For as an eye sleeps, so an eye wakes after a while
And cries for its other
We are lovers, until the moon sleeps
And we know that the embrace and the kiss
Are the nourishment of nights of love
And the morning calls my step to continue
upon the path is a new day!
We are friends, therefore journey beside me, hand in hand
Together, we make bread and songs
Why do we question this path… for what fate
walks with us?
What is the source of our courage?
For it is my sufficiency, and yours, that we journey
Together, for eternity
Why do we search the songs of sadness
In the volumes of ancient poetry?
And ask:  oh love!  Will you continue?
I love you, the love of the caravan - the oasis of grass and water
And the love of the poor - the loaf of bread
As the grass sprouts between the crevices of a rock
We were found one day as two strangers
And we remain companions forever

Monday 22 October 2012

G.M. Hopkins' "The Windhover: To Christ Our Lord"

The Windhover: To Christ Our Lord

I caught this morning morning's minion, king-
dom of daylight's dauphin, dapple-dawn-drawn Falcon, in his riding
Of the rolling level underneath him steady air, and striding
High there, how he rung upon the rein of a wimpling wing
In his ecstasy! then off, off forth on swing,
As a skate's heel sweeps smooth on a bow-bend: the hurl and gliding
Rebuffed the big wind. My heart in hiding
Stirred for a bird,--the achieve of; the mastery of the thing!

Brute beauty and valour and act, oh, air, pride, plume, here
Buckle! AND the fire that breaks from thee then, a billion
Times told lovelier, more dangerous, O my chevalier!

No wonder of it: shéer plód makes plough down sillion
Shine, and blue-bleak embers, ah my dear,
Fall, gall themselves, and gash gold-vermillion.

Sunday 21 October 2012

W.S. Merwin's "Thank You"

Thanks

Listen
with the night falling we are saying thank you
we are stopping on the bridges to bow for the railings
we are running out of the glass rooms
with our mouths full of food to look at the sky
and say thank you
we are standing by the water looking out
in different directions.
back from a series of hospitals back from a mugging
after funerals we are saying thank you
after the news of the dead
whether or not we knew them we are saying thank you
looking up from tables we are saying thank you
in a culture up to its chin in shame
living in the stench it has chosen we are saying thank you
over telephones we are saying thank you
in doorways and in the backs of cars and in elevators
remembering wars and the police at the back door
and the beatings on stairs we are saying thank you
in the banks that use us we are saying thank you
with the crooks in office with the rich and fashionable
unchanged we go on saying thank you thank you
with the animals dying around us
our lost feelings we are saying thank you
with the forests falling faster than the minutes
of our lives we are saying thank you
with the words going out like cells of a brain
with the cities growing over us like the earth
we are saying thank you faster and faster
with nobody listening we are saying thank you
we are saying thank you and waving
dark though it is

Mahmoud Darwish's "Diary of a Palestinian Wound"

Diary of a Palestinian Wound


النص العربي: لا يوجد


For Fadwa Tuqan
...
We do not need to be reminded:
Mount Carmel is in us
and on our eyelashes the grass of Galilee.
Do not say: If we could run to her like a river.
Do not say it:
We and our country are one flesh and bone.
***
Before June we were not fledgeling doves
so our love did not wither in bondage.
Sister, these twenty years
our work was not to write poems
but to be fighting.
***
The shadow that descends over your eyes
-demon of a God
who came out of the month of June
to wrap around our heads the sun-
his color is martyrdom
the taste of prayer.
How well he kills, how well he resurrects!
***
The night that began in your eyes-
in my soul it was a long night's end:
Here and now we keep company
on the road of our return
from the age of drought.
***
And we came to know what makes the voice of the nightingale
a dagger shining in the face of the invaders.
We came to know what makes the silence of the graveyard
a festival...orchards of life.
***
You sang your poems, I saw the balconies
desert their walls
the city square extending to the midriff of the mountain:
It was not music we heard.
It was not the color of words we saw:
A million heroes were in the room.
***
This land absorbs the skins of martyrs.
This land promises wheat and stars.
Worship it!
We are its salt and its water.
We are its wound, but a wound that fights.
***
Sister, there are tears in my throat
and there is fire in my eyes:
I am free.
No more shall I protest at the Sultan's Gate.
All who have died, all who shall die at the Gate of Day
have embraced me, have made of me a weapon.
***
Ah my intractable wound!
My country is not a suitcase
I am not a traveler
I am the lover and the land is the beloved.
***
The archaeologist is busy analyzing stones.
In the rubble of legends he searches for his own eyes
to show
that I am a sightless vagrant on the road
with not one letter in civilization's alphabet.
Meanwhile in my own time I plant my trees.
I sing of my love.
***
It is time for me to exchange the word for the deed
Time to prove my love for the land and for the nightingale:
For in this age the weapon devours the guitar
And in the mirror I have been fading more and more
Since at my back a tree began to grow.