Showing posts with label beauty. Show all posts
Showing posts with label beauty. Show all posts

Thursday 10 March 2016

The Name I Call Myself: On Race (Pt. 1)

How I Celebrated Black History Month
I first realized that I was treacherously unsatisfied with Black History Month about 4 years ago. I have worked in education for the past 12 years, in special education for the last 8. In this time, I have been one of only a handful of black students and coworkers, which has meant, no matter how "diverse" my workplaces have been, that I have continued to exist as a minority among minorities.

When black history month is celebrated in a school, it usually looks something like this:

  • Plaster grainy, black&white photographs of famous African-Americans on the walls. Always draw from a pool of the same 20 people. Descriptions of what these people are known for may or may not be included. 
  • Talk about segregation in the 1960's and the civil rights movement A LOT. Make it clear to the students that segregation WAS. Use more black&white photos (this time from the 1960's). Talk a lot about buses and water fountains (use my presence in the room as an example that segregation is totally over, if convenient). Talk about how hard it was to be a black person. Invite white students to shake their heads sorrowfully at the reality of former injustices. Do not leave room for me to comment on the lesson. 
  • Talk extensively about Martin Luther King, Jr. and how, because of him, black and white people, nay all peoples in America, can be friends. Talk about how great it is that no one is racist now. Emphasize that the president is black.

In my classroom, I have a cultural awareness poster that I change every month to go along with our monthly assemblies. For February in years past, I have done what is expected: I printed out various photos of famous African-Americans and put them up on the poster, along with a poem by Langston Hughes and a map of Africa filled with titles of various careers and occupations that have been held by blacks. I spice things up by intentionally using photos of famous black Americans both in color and black&white, both dead and alive, both male and female. I always feel that I have gone the extra mile, hopefully providing visual proof that not all good black people are dead.

This year, I started asking questions. What is the point of Black History Month? Why do I cringe at the thought of it? What, if anything, can be accomplished in the 28 days we have been given to combat hundreds of years worth of disrespect and dehumanization? Then, it struck me. I find it atrocious that we have to put up, during Black History Month, pictures of African-Americans that are "worthy." It feels like the whole month is spent saying that black people are not all good-for-nothing. It feels like a display of exceptions. And, the worst part of all, it means a month of sitting through classes, staff meetings, and assemblies where people who are not black describe to other people who are not black, in my presence, with an air of unquestionable authority, what blackness is. This gave me an idea.

I returned to my poster. On a 3x5 card in bright red marker I wrote: "BLACK PEOPLE ARE. . ." Then, on more 3x5 cards, in the same red ink I wrote adjectives that corresponded with the photographs I'd chosen. Under a picture of Jesse Owens leaping over a hurdle I wrote "FAST." Under a picture of Harriet Tubman I wrote "BRAVE." Under a picture of Maya Angelou I wrote "CREATIVE." Under a picture of George Washington Carver I wrote "INTELLIGENT." I felt shocked at myself for my boldness: how dare I affirm explicitly and without permission what I know to be true? How dare I not qualify my assertion with the word "some." This is not how Black History Month is supposed to be celebrated.

I think black history month ought to be about creating new language, forming new assumptions, and letting 1,000 positive adjectives fall from our mouths, all about what it means to be black. I just want someone to run around Los Angeles, covering billboards with the phrase "Black people are. . . " and then writing in one hundred thousand good words. Why? Because the other 337 days of the year society is saying "Black people are. . ." and ending that statement in 1,000,000,000 ugly ways. The best thing we can do during Black History Month is to say that it is good to be black, and then to hush and let the words sink in, uncontested.

So I spent this Black History Month entrenched in blackness. I intentionally spent the time celebrating the work of black musicians, artists, authors, and filmmakers. I read books by black authors talking about blackness, I listened to spoken word artists talking about how to love themselves when everyone around them is calling them unlovable. I engaged in discussions with my white friends about their experiences and how they were different from my own; I had long talks with my mother about her experience of blackness in Jamaica and then during the civil rights movement in America as an immigrant. I visited a black, Episcopalian church, I listened to a lot of Nina Simone. I thought about lies I have been told my whole life. I looked for, and found, living black role models, because it is important that we know that not all good black people are dead. And I worked on explicit self-definition, remembering that most of the problems we have with race in America come from us naming each other to make ourselves look better-than, which is an act of destruction.

My Back History Month Bibliography (to date):

  • Z.Z. Packer Drinking Coffee Elsewhere
  • Tracy K. Smith Ordinary Light
  • Chimamanda Ngozi Adichie Americanah
  • Toni Morrison Playing in the Dark: Whiteness and the Literary Imagination 
  • Toni Morrison God Help the Child
  • Helen Oyeyemi Boy, Snow, Bird
  • Zora Neale Hurston Mules and Men
  • Tamara Winfrey Harris The Sisters Are Alright: Changing the Broken Narrative of Black Women in America 
  • Issa Rae The Misadventures of Awkward Black Girl
  • Fran Ross Oreo
  • Essence Magazine
  • New African Woman Magazine 

The Principle of Self-Determination 
The point: freedom is me naming myself, narrating my own experience, and describing the scope of my own strengths and limitations. It does not matter how kind one's words or intentions are, they are judgments, limits, restrictions, invasions, and impositions. It simply isn't anyone else's job to tell me who or what I am. No one should attempt to tell me that I am worthy or that I am unworthy. Being black is what I say it is. And I say that it is good.


I'm just warming up, really.

Monday 24 December 2012

Holy Nativity: Bright Paint and Sweet Anger

God in three persons, Holy Trinity.

Well, it's Christmas Eve, and as usual, I've failed to keep this blog abreast of the progress of my Nativity Fast. I'm feeling really glad that Lent is coming up in a few months. I think, maybe, I'm getting used to the rhythm of fasting and feasting. I failed several times during this fast, and abandoned my reading plan half way through. But still, being in the general mindset of fasting was invaluable during this frenzied, noisy holiday season. I'm shockingly calm. Calm and prepared are the two words that best describe my mood this year.  I think this is due entirely to my experience of God in this fast. One day I will be good at fasting, I tell you! One day. In the meantime, I am going to learn to fight legalism and slovenly habits as I align my life to the Christian calendar.  

I'm learning things about myself this fall. Mostly, I've been learning a lot about what I picture when I use the word "home", and how far my actual home falls short of this image. I think, sometimes, I feel guilty about wanting to be comfortable. I have the personal tastes of Marie Antoinette, but I try to live like John the Baptist. This is maybe irrelevant to this post, but for me to feel at home, the walls have to be painted in bright colors. Or at least, I have to be surrounded by lots of brightly colored, beautiful things. No, the walls really, actually have to be painted in bright colors. I have tried several times in my adult life to live without this, and each time, the experiment has failed. It's always the same. I buy a few things: a colorful bedspread, a whimsical piece of artwork, and feel like I have accomplished the goal of setting up a nest for myself. But it always fails. White walls make me crazy. The earth is not my home, this is sure, but it is a place to practice living real, eternal life. I must do that in a place that feels like home. I should have painted my apartment. I should've painted, and I should've bought a lot of furniture. I am not a nomad, I am not a desert father, I am an Ayodele. And Ayodeles need their houses to be decorated like Anthropologie stores.

Also, I've learned about my general lack of assertiveness. Again, this is not a new lesson. Why must I learn everything 85 times? I hate being angry; I gravitate towards tranquility. But, as I'm human, I cannot escape human emotions. I spent a lot of time this fall, during this Nativity Fast, incensed. I wonder what the etymology of the word incensed is. Anyway, I'm learning again that it is OK to be mad, that when I am angry I cannot make myself otherwise, and that the swiftest path to righteousness is speaking the truth in love. "I feel mad when you. . ." At the moment, it is nearly impossible for me to communicate anger to another person. I fear conflict, and I fear my own ability to handle anger appropriately. But I must work on this.

What does any of this have to do with the Incarnation? Well, both of these things, colored paint and assertive language, affect my ability to feel at home in my own flesh. Since I am incarnate, I cannot live peacefully if I'm always trying to just endure ugly, glaring white paint or situations that make me angry. Sometimes you just have to work to make things better, instead of trying to survive them. This is the truth.

I think this fast has made it easier to hear God when he speaks. Maybe that is what fasting is about, telling God that you're listening. Fasting is living in a posture of listening.

Speaking of my natural inclination toward extravagance, I may at least congratulate myself on the way I observed Christmas this year. Christmas is so important to me. And I love all of it. I love the shopping, and the brass bands playing "O Come, O Come, Emmanuel" on the street corners, and the trees, and the lights, and the office holiday parties, and the presents. I cannot cut corners on Christmas. Lucky for me, I planned ahead this year. I put up my tree 2 days after Thanksgiving, ordered and sent out Christmas cards, and used an Advent Wreath. This is my first year using an Advent Wreath. I made it myself and everything. I will do it every year. I think lighting the Advent candles helped me to get a handle on the time. Isn't that what fasting is about? Getting a handle on the time? I knew exactly how many days it was until Christmas, and I was able to focus on the right things, like Love, Hope, and Joy--at least on Sundays. So, some part of my brain chose to act according to common sense this year. Hooray! I love the Advent season.

Now I need to go complete another Christmas tradition, and finish reading On the Incarnation.

Merry Christmas!

Sunday 11 November 2012

A Day in the Life of a Bridesmaid. . .

Yesterday, my best friend of over 20 years got married. Yes, I know. Married. Here are some gratuitous photos to prove it, given here for the gratification of my own feelings. I can't go into a long description of the day, or my feelings about it, because I don't actually want to.  I will say though, that it surprised me. Each wedding I've been in is as different as each of the friends I've attended. Shall I show the photos now? Yes. I shall.




All done crying, by this point.




The Best Man got lost for a while and missed this photo opp.



Using all of my rhetorical powers.

Being the Church

Monday 29 October 2012

William Wordsworth's "Daffodils"

 Daffodils

I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.

The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed--and gazed--but little thought
What wealth the show to me had brought:

For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.

Sunday 11 March 2012

Lent: Bad at it

To know you only
my soul disappears.
I tire of glimpsing you
in dusty mirrors.
The beauty in the world I know
is only ugliness to me
if you I cannot see.
pregnant with your love,
I climb.
But on this narrow stair,
I recall how fair,
the vanities of this world are.
And I find the path too steep,
the pain too deep—
to keep on looking for you.
I tear my hands—clutching
at blossoms—truly,
only—thorns in my side.
My pride
woos me to stay,
while fears
—heavy iron spurs—
slacken my steps,
protecting me from truth,
making my cup—a pulsing star—
overflowing with your joys,
bitter and black,
—gall and tar.
Drop!
Drop!
Your blood in my cup.
Shine
Shine
(your light in my eyes).
The water of life rushing
in my ears
the currents rise,
and carry me along,
so strong your rivers are.
Your song now
palatable—I float
my ascent, swallowing
mouthfuls of your words.
As the earth revolves
so I spin, turned by you
the One who moves.
Sugar and sadness in
my hymn, I begin to tune
my lips to your unchanging
symphony.
Clutching to the drifting sun,
I wash up on your
golden shore—
and I can't remember anymore
anything brighter than your face.

Saturday 30 July 2011

Vision of The Grotesque & The Beautiful

I hate ugliness. I hate ugliness so much that I try not to see it, to hear it, to smell it, or to conceive of it in any way that reveals its presence to me. I look at the world through a lens that denies the presence of what is ugly. No, not a vision of denial, but a vision of discontent. I look at things only to wish them more beautiful. I see wilting roses and picture them whole, full, devoid of brownish edges or insect perforations. It extends to all my senses. I attempt to keep out of my ears the noises of the world--television, radio stations, muzak in grocery stores--noise being its own kind of ugliness. There is a large medical building in my city painted a tawdry muddy-orange color. It makes me angry, it might have been prettier.

This vision of discontent, of continual demand for perfection from an imperfect world, may be a gift. Otherwise, it is my own ugliness. An ugliness that wants always to deny the imperfections of real things. It's not a blindness, it's a judging vision. It's been said that prophets are afflicted with divine discontent, and I like to believe that it is this affliction I bear. This kind of affliction made people like Amy Carmichael and George Mueller take in hundreds of street children, it's the kind that fuels abolition movements and unreasonable demands for justice--because these people were dissatisfied with what is. Lately though, I am in doubt.

This week I finished Mystery and Manners, a posthumous collection of prose by Flannery O' Connor. I love St. Flannery for so many reasons. First, because she is an excellent writer. Second, because she is right about everything. Third, because her own spiritual and artistic vision is so perfectly shaped and presented. She has left nothing out. This being said, it is disconcerting to be at odds with Flannery in my own way of looking at the world. But then, maybe I am not. Flannery is all about observation: she is concerned with looking at and recognizing what is present in the natural world in order to faithfully reveal its link to supernature. Nature pairs with grace & mystery with manners, Flannery tells us. Thus, her vision of the world involves judgment, because she sees the ultimate reality of the Triune God making himself known to us. And, along with this, she sees the rebellion and misery of humanity in fighting against this, its own perfect end. But what strikes me most is that Flannery concerns herself so much with seeing what is there and presenting exactly this to the reader. Her characters are often people who are physically ugly, as well as being spiritually so. Perhaps this is where our vision differs. I see what is there and in my own mind's eye strive to correct, to improve, to soften it's garishness. Flannery even extols the benefits of drawing classes for young novelists, drawing being an activity that helps you to see what is there. Flannery's thorough perception recognizes what is there and serves it to you raw and unedited--grotesque humanity on a silver platter of truth.

Do I shun the grotesque? Or do I, like Flannery, see the world and human nature in it's impoverished state and yearn for what it ought to be? For what it may be? In my view of the world do I miss something? Am I ignoring the downtrodden? The broken-hearted? The least of these?

The smelly, filthy, homeless, disabled man on the bus is grotesque. I sit with him in a vehicle with large, glassy windows that let in the light. Together we travel, our lives drowned out under the roar of the engine. But I sit there because I can't escape. I politely breathe through my mouth instead of covering my nose so that he will not realize the smell of him makes me afraid. I look at him and think detached, philosophical thoughts about humanity and its depravity. Is that the way to look at the grotesque? I sit there with him and think about other things, with my nose stuck in a book, ignoring the present scents of disaster and decay to picture clean skin, beds of lavender, rain-washed air.

To see the grotesque do I have to love it? Or merely embrace its presence? Are loving and embracing one act?

Am I looking for the good beneath the ugliness? Or am I simply trying to recognize and greet the presence of the ugly?

I know it is wrong to only love what is beautiful. Or rather, is it wrong to love what only appears beautiful? Love is not concerned, perhaps, with the goodness of the thing loved; but with willing and bringing good to the object of the love.

And what am I to think of my own grotesqueness? God does not love me because I am beautiful. He loves me even though I am ugly. And in this love his beauty is communicated to me. If the call is merely to love, then my response ought to be constant, loving, attentiveness.

Yes! This is it, attention well paid, a certain homage performed. A recognition of presence. The presence of the grotesque.


and the real always trumps the imagined
as the invisible transcends the perceived


Are perfection, beauty, & goodness the result of that loving attentiveness? Do I look at what is and love it because it ought to be higher? Love it for what it could be? Love it to make it rise?

I am on a quest to use my imaginative faculty for good. I want to know how to see what is there, but not in a dull complacency that makes me wring my hands. Nor in a zeal for perfection that makes me sweep over any good concealed. Rather, I want to cultivate a welcoming attentiveness that helps me to see the good that is present--for what is good is better than what is beautiful. I think.


Turn my eyes from looking at worthless things and give me life in your ways.

Friday 15 October 2010

Trinkets make me feel loved.

I feel SO loved today. Why? Because I'm eating spaghetti and chocolate layer cake for lunch made by my roommate Kaitlin; because I'm wearing earrings and bangles from my friend Katelyn in India; because I will eat Jamaican food for dinner tonight sent from my home by my mama; because I have rainbow ribbon ballet flats that used to belong to my friend Emily; because I have pretty pink Gerber daisies on the coffee table beside me from my roommate Melissa; because I'm using for a bookmark a postcard from my friend Amber in New Mexico; because I hugged a lot of Kindergartners today. I love stuff. Judge me if you need to. I love having pretty things around me that remind me of the dear ones far away. And, let me tell you, 98% of all the dear ones there are, are far away. It's the saddest thing. But it makes me feel better to drink from the little white teapot that served as a centerpiece at my friend Jenn's wedding in Idaho; or to wear the cameo that was my bridesmaid gift from Bethany who's living in Istanbul. I am not denying my materialism. I should probably sell all I have and give it to the poor and seek treasure in heaven. But, the point is, that being surrounded by aesthetically pleasing, visual reminders of friendship is really important to me.

That's why I've got so much stuff. That's why when I'm homesick for a place it's the trees I miss most. It's raining today.

Saturday 21 August 2010

Matrimonial Theft & Pinwheels

I went to a wedding today that was pinwheel themed. Have I mentioned that I LOVE pinwheels? Could there be anything more whimsical than a pinwheel? I don't think so. They even had pinwheel-shaped cookies. The favors were pencils with pinwheels stuck onto the erasers. Also, I stole one of the larger pinwheel decorations that was stuck in the ground outside the reception. I'm always tempted to steal wedding decorations. This must stop.I don't have space for them and I don't need them. But I like wedding decorations SO much. Maybe I should devote more of my life to arts and crafts. Maybe instead I will just keep going to work and class and chapel and doing my homework. Let's tell the truth.

Lifting wedding decorations. . .not so apropos.