G.M. Hopkins' "The Windhover: To Christ Our Lord"

The Windhover: To Christ Our Lord

I caught this morning morning's minion, king-
dom of daylight's dauphin, dapple-dawn-drawn Falcon, in his riding
Of the rolling level underneath him steady air, and striding
High there, how he rung upon the rein of a wimpling wing
In his ecstasy! then off, off forth on swing,
As a skate's heel sweeps smooth on a bow-bend: the hurl and gliding
Rebuffed the big wind. My heart in hiding
Stirred for a bird,--the achieve of; the mastery of the thing!

Brute beauty and valour and act, oh, air, pride, plume, here
Buckle! AND the fire that breaks from thee then, a billion
Times told lovelier, more dangerous, O my chevalier!

No wonder of it: shéer plód makes plough down sillion
Shine, and blue-bleak embers, ah my dear,
Fall, gall themselves, and gash gold-vermillion.

W.S. Merwin's "Thank You"

Thanks

Listen
with the night falling we are saying thank you
we are stopping on the bridges to bow for the railings
we are running out of the glass rooms
with our mouths full of food to look at the sky
and say thank you
we are standing by the water looking out
in different directions.
back from a series of hospitals back from a mugging
after funerals we are saying thank you
after the news of the dead
whether or not we knew them we are saying thank you
looking up from tables we are saying thank you
in a culture up to its chin in shame
living in the stench it has chosen we are saying thank you
over telephones we are saying thank you
in doorways and in the backs of cars and in elevators
remembering wars and the police at the back door
and the beatings on stairs we are saying thank you
in the banks that use us we are saying thank you
with the crooks in office with the rich and fashionable
unchanged we go on saying thank you thank you
with the animals dying around us
our lost feelings we are saying thank you
with the forests falling faster than the minutes
of our lives we are saying thank you
with the words going out like cells of a brain
with the cities growing over us like the earth
we are saying thank you faster and faster
with nobody listening we are saying thank you
we are saying thank you and waving
dark though it is

Mahmoud Darwish's "Diary of a Palestinian Wound"

Diary of a Palestinian Wound

النص العربي: لا يوجد

For Fadwa Tuqan

...

We do not need to be reminded:

Mount Carmel is in us

and on our eyelashes the grass of Galilee.

Do not say: If we could run to her like a river.

Do not say it:

We and our country are one flesh and bone.

***

Before June we were not fledgeling doves

so our love did not wither in bondage.

Sister, these twenty years

our work was not to write poems

but to be fighting.

***

The shadow that descends over your eyes

-demon of a God

who came out of the month of June

to wrap around our heads the sun-

his color is martyrdom

the taste of prayer.

How well he kills, how well he resurrects!

***

The night that began in your eyes-

in my soul it was a long night's end:

Here and now we keep company

on the road of our return

from the age of drought.

***

And we came to know what makes the voice of the nightingale

a dagger shining in the face of the invaders.

We came to know what makes the silence of the graveyard

a festival...orchards of life.

***

You sang your poems, I saw the balconies

desert their walls

the city square extending to the midriff of the mountain:

It was not music we heard.

It was not the color of words we saw:

A million heroes were in the room.

***

This land absorbs the skins of martyrs.

This land promises wheat and stars.

Worship it!

We are its salt and its water.

We are its wound, but a wound that fights.

***

Sister, there are tears in my throat

and there is fire in my eyes:

I am free.

No more shall I protest at the Sultan's Gate.

All who have died, all who shall die at the Gate of Day

have embraced me, have made of me a weapon.

***

Ah my intractable wound!

My country is not a suitcase

I am not a traveler

I am the lover and the land is the beloved.

***

The archaeologist is busy analyzing stones.

In the rubble of legends he searches for his own eyes

to show

that I am a sightless vagrant on the road

with not one letter in civilization's alphabet.

Meanwhile in my own time I plant my trees.

I sing of my love.

***

It is time for me to exchange the word for the deed

Time to prove my love for the land and for the nightingale:

For in this age the weapon devours the guitar

And in the mirror I have been fading more and more

Since at my back a tree began to grow.

G.M. Hopkins' "Peace"

PEACE

When will you ever, Peace, wild wooddove, shy wings shut,
Your round me roaming end, and under be my boughs?
When, when, Peace, will you, Peace? I’ll not play hypocrite
To own my heart: I yield you do come sometimes; but
That piecemeal peace is poor peace. What pure Peace allows
Alarms of wars, the daunting wars, the death of it?

O surely, reaving Peace, my Lord should leave in lieu
Some good! And so he does leave Patience exquisite,
That plumes to Peace thereafter. And when Peace here does house
He Comes with work to do, he does not come to coo,
He comes to brood and sit.

G.M. Hopkins' "Kingfishers"

Kingfishers

As kingfishers catch fire, dragonflies draw flame;

As tumbled over rim in roundy wells

Stones ring; like each tucked string tells, each hung bell's

Bow swung finds tongue to fling out broad its name;

Each mortal thing does one thing and the same:

Deals out that being indoors each one dwells;

Selves — goes itself; myself it speaks and spells,

Crying Whát I dó is me: for that I came.

I say móre: the just man justices;

Keeps grace: thát keeps all his goings graces;

Acts in God's eye what in God's eye he is —

Chríst — for Christ plays in ten thousand places,

Lovely in limbs, and lovely in eyes not his

To the Father through the features of men's faces.

Philip Larkin's "Solar"

Solar

Suspended lion face
Spilling at the centre
Of an unfurnished sky
How still you stand,
And how unaided
Single stalkless flower
You pour unrecompensed.

The eye sees you
Simplified by distance
Into an origin,
Your petalled head of flames
Continuously exploding.
Heat is the echo of your
Gold.

Coined there among
Lonely horizontals
You exist openly.
Our needs hourly
Climb and return like angels.
Unclosing like a hand,
You give for ever.

Wendell Berry's "The Dance"

The Dance

I would have each couple turn,

join and unjoin, be lost

in the greater turning

of other couples, woven

in the circle of the dance,

the song of long time flowing

over them, so they may return,

turn again in to themselves

out of desire greater than their own

belonging to all, to each,

to the dance, and to the song

that moves them through the night.

What is fidelity?  To what

does it hold?  The point

of departure, or the turning road

that is departure and absence

and the way home?  What we are

and what were once

are far estranged.  For those

who would not change, time

is infidelity.  But we are married

until death, and are betrothed

to change.  By silence, so,

I learn my song.  I earn

my sunny fields by absence, once

and to come.  And I love you

as I love the dance that brings you

out of the multitude

in which you come and go.

Love changes, and in change is true.