Saturday 20 October 2012

G.M. Hopkins' "Peace"

PEACE
When will you ever, Peace, wild wooddove, shy wings shut,
Your round me roaming end, and under be my boughs?
When, when, Peace, will you, Peace? I’ll not play hypocrite
To own my heart: I yield you do come sometimes; but
That piecemeal peace is poor peace. What pure Peace allows
Alarms of wars, the daunting wars, the death of it?
O surely, reaving Peace, my Lord should leave in lieu
Some good! And so he does leave Patience exquisite,
That plumes to Peace thereafter. And when Peace here does house
He Comes with work to do, he does not come to coo,
He comes to brood and sit.

Thursday 18 October 2012

G.M. Hopkins' "Kingfishers"

Kingfishers

As kingfishers catch fire, dragonflies draw flame;
As tumbled over rim in roundy wells
Stones ring; like each tucked string tells, each hung bell's
Bow swung finds tongue to fling out broad its name;
Each mortal thing does one thing and the same:
Deals out that being indoors each one dwells;
Selves — goes itself; myself it speaks and spells,
Crying Whát I dó is me: for that I came.

I say móre: the just man justices;
Keeps grace: thát keeps all his goings graces;
Acts in God's eye what in God's eye he is —
Chríst — for Christ plays in ten thousand places,
Lovely in limbs, and lovely in eyes not his
To the Father through the features of men's faces.

Wednesday 17 October 2012

Philip Larkin's "Solar"

Solar

Suspended lion face
Spilling at the centre
Of an unfurnished sky
How still you stand,
And how unaided
Single stalkless flower
You pour unrecompensed.

The eye sees you
Simplified by distance
Into an origin,
Your petalled head of flames
Continuously exploding.
Heat is the echo of your
Gold.

Coined there among
Lonely horizontals
You exist openly.
Our needs hourly
Climb and return like angels.
Unclosing like a hand,
You give for ever.

Tuesday 16 October 2012

Wendell Berry's "The Dance"

The Dance

I would have each couple turn,
join and unjoin, be lost
in the greater turning
of other couples, woven
in the circle of the dance,
the song of long time flowing

over them, so they may return,
turn again in to themselves
out of desire greater than their own
belonging to all, to each,
to the dance, and to the song
that moves them through the night.

What is fidelity?  To what
does it hold?  The point
of departure, or the turning road
that is departure and absence
and the way home?  What we are
and what were once

are far estranged.  For those
who would not change, time
is infidelity.  But we are married
until death, and are betrothed
to change.  By silence, so,
I learn my song.  I earn

my sunny fields by absence, once
and to come.  And I love you
as I love the dance that brings you
out of the multitude
in which you come and go.
Love changes, and in change is true.

Monday 15 October 2012

Mary Oliver's "The Poet Dreams of the Mountain"

The Poet Dreams of the Mountain

Sometimes I grow weary of the days with all their fits and starts.
I want to climb some old grey mountain, slowly, taking
the rest of my life to do it, resting often, sleeping
under the pines or, above them, on the unclothed rocks.
I want to see how many stars are still in the sky
that we have smothered for years now, forgiving it all,
and peaceful, knowing the last thing there is to know.
All that urgency!  Not what the earth is about!
How silent the trees, their poetry being of themselves only.
I want to take slow steps, and think appropriate thoughts.
In ten thousand years, maybe, a piece of the mountain will fall.

Sunday 14 October 2012

G.M. Hopkins' "Hope Holds to Christ the Mind’s Own Mirror Out"

HOPE holds to Christ the mind’s own mirror out
To take His lovely likeness more and more.
It will not well, so she would bring about
An ever brighter burnish than before
And turns to wash it from her welling eyes        5
And breathes the blots off all with sighs on sighs.
Her glass is blest but she as good as blind
Holds till hand aches and wonders what is there;
Her glass drinks light, she darkles down behind,
All of her glorious gainings unaware.        10
   .   .   .   .   .   .   .   .
I told you that she turned her mirror dim
Betweenwhiles, but she sees herself not Him.

Saturday 13 October 2012

Caroline Bird's "Trouble Came to the Turnip"

Trouble Came to the Turnip

When trouble came to the village,
I put my love in the cabbage-cart
and we rode, wrapped in cabbage,
to the capital.
When trouble came to the capital,
I put my love in the sewage pipe,
and we swam, wrapped in sewage,
to the sea.
When trouble came to the sea,
I put my love inside a fish
and we flitted, wrapped in fish,
to the island.
When trouble came to the island,
I put my love on a pirate ship
and we squirmed, wrapped in pirate,
to the nunnery.
When trouble came to the nunnery,
I put my love inside a prayer book
and we repented, wrapped in prayer,
to the prison.
When trouble came to the prison,
I put my love on a spoon
and we balanced, wrapped in mirror,
to the soup.
When trouble came to the soup,
I put my love inside a stranger
and we gritted, wrapped in a mouth
to the madhouse.
When trouble came to the madhouse,
I put my love on a feather
and we flapped, wrapped in a feather,
to the fair.
When trouble came to the fair,
I put my love inside a rat,
and we plagued, wrapped in rat,
to the village.
When trouble came to the village,
I put my love in the turnip-lorry
and we sneaked, wrapped in turnip,
a hurried kiss.